Saturday, June 30, 2007

Off-site Galleries

The collection of photographs from the Bob Bailey and Bailey Brothers Studio in the Heights has wound up at the Center for American History at University of Texas at Austin. This collection is one of the most remarkable collections of photographs documenting a city available and there are many, many photos of radio and television included but they are difficult to find. The collection has been arranged for the convenience of archivists.

On this page, scroll waaaay down on the page to the Radio TV folder and click on ‘Click to view images.’ There are only a few dozen there but there are more scattered throughout the other folders. There are dozens, probably 100s more related to radio and TV in the collection. Stations featured in the 30s and 40s included KPRC, KTRH and KXYZ, in the 50s and 60s, there were lots of KNUZ, so many that it leads me to think Bailey may have been the official KNUZ station photographer.

One way I've found to try and locate these is to search by call letters. You can also search by personality name and may find a few that way. There are a few photos of KHOU-TV and many of KPRC-TV and KHOU-TV personalities.

The collection used to be maintained locally and was very conveniently organized for searching but was transferred to UT a couple of years ago. I still have not found many of the photos that I remember from the old site.

Another way to access the collection is to go to the home page of the Bob Bailey Collection and start scrolling. There are 5000 photographs and that's just what's on line so far!

And another way: this is what comes up when you search for 'communication.'

Radio Emporium - navigate the drop down menus on this site to see a collection of station logos. The Call Letter history section only goes back to about 1980 and is not very accurate.

Reverse Time Page is maintained by Mike Schultz. Mike has been very helpful in identifying equipment in the early WCAK photos and he has a fascinating site.

Chalk Hill Museum in Kilgore also has a lot of interesting stuff, including a couple of items relating to Houston.

The University of Maryland Libraries holds an extensive collection of materials collected by Parks Johnson concerning the Vox Pop program which originated on KTRH in 1932 and went national in 1935.

If anyone knows of any other photo archives on line that would be of interest to readers of this blog, please let me know.

KLEE-TV Becomes KPRC-TV

Seventeen months after putting Houston’s first television station on the air and with the TV freeze guaranteeing him a monopoly on TV viewers for some time to come, hotelier W. Alfred Lee sold KLEE-TV to the Houston Post/KPRC. Executives at KPRC and the Post and the Hobby family had become interested in making an offer for the station and had been assessing its value. They were concerned that FCC policies favoring diversity in media ownership might mean that both the Post and Chronicle would be left without TV licenses when the freeze was lifted or forced to compete against each other for a permit; they calculated Lee was losing $30,000 a month on his TV operation, which they did not believe he could not sustain for long. Then they learned Lee was looking to sell.

Hilton Waldo Hearn, Jr., in his 1971 Master’s Thesis at the University of Texas, W. Alfred Lee, Pioneer of Houston Television, says Lee had become convinced that when the freeze was lifted, he would be left running an independent television station since the TV networks had made it clear they wanted their TV affiliates to go to the companies they had been doing business with as radio affiliates and Lee did not have a radio network affiliation. Lee had little broadcast experience to draw on and the station was still on the air only 4 or 5 hours a day and was running on a minimum staff.

The asking price was reportedly $743,000. The Hobby’s were cautioned that was too much to pay for a money losing operation in the unproven medium of television but they felt they had no choice if they wanted to get into television. A deal was reached and approval sought from the FCC in the spring of 1950.

The other applicants for TV permits in Houston were dismayed, to say the least. KPRC and the Post had effectively executed an end run around the TV freeze and left the other applicants in the lurch. As it developed, they would have another 3 years to build the KPRC-TV brand without competition in Houston.

According to Hearn, the keys were handed to the Hobbys at 10:30am on May 31st, the change of ownership was announced in the Post on June 1, 1950. A month later, on July 3, the call letters were changed to KPRC-TV.

Faced with a small audience (there were an estimated 26,000 TV sets in the Houston area at the time), Lee had been selling TV time for less than radio. The KPRC radio sales staff was charged with turning this situation around and 4 months later, according to Jack Harris, the station was showing a profit. In addition to the $743,000 asking price it had been estimated another $250,000 in losses might be incurred before the station showed a profit but that reserve was never tapped into. By the end of the year, it was estimated the number of tv sets in use in Houston had more than doubled and it reached 100,000 by late 1951. The station changed its primary affiliation from CBS to NBC but still carried programs from all 4 networks.

The new owners drew upon their broadcast experience since 1925 in promoting and growing the station. They scheduled a big TV Fair for the July 4 weekend to introduce the new call letters and stir up more public interest; it was held at the Plantation Club at 9101 South Main and was attended by an estimated 50,000 people over three days. The Post published a special 40 page section on the change-over on Sunday, July 2.

TV dealers set up booths demonstrating their sets and live entertainment was provided on site and over the air including Red Ingles and his Natural Seven band, Carol Bruce, June Christy, the Mel Arvin Trio, Gypsy Edwards, Curly Fox and Miss Texas Ruby, and 11 year old Tommy Sands, who would become a teen idol before the decade was over.

The biggest attraction, however, proved to be the Fair-goers themselves, who got to see themselves on closed-circuit television.

The special section in the Post carried feature stories on station personnel, including station manager Jack Harris, assistant manager Jack McGrew, newsman Harry Arouh, News Director Pat Flaherty and his young assistant Ray Miller, Sports Director Bruce Layer, AM and TV Program Director Jack Edmunds, Chief Engineer Paul Huhndorf and KPRC Chief Engineer Harvey Wheeler, wrestling promoter and announcer Paul Boesch, country music stars Curly Fox and Miss Texas Ruby, and announcer Dick Gottlieb, who had been working in Houston radio for several years and would go on to be known as Mr. Television in Houston but had only been seen on camera recently. There were also stories about KPRC radio personnel and history and on-going KPRC radio programs such as Laugh with the Ladies, Darts for Dough, and Battelstein’s Fashions in Motion, some of which would become television staples in the early years, as well as new programs planned for TV. Thursday evenings would feature Phoenix Phil and his Pals, a puppet show by a local ventriloquist, Chester Leroy, and his cast of Phoenix Phil, Eddie the Cowboy, Miss Linda, Sandy McAndy and Cub Scout.

There were also stories in the section about many of the different TV sets from different makers that would be on display at the Fair.

Improvements were undertaken in the physical plant (KLEE-TV’s studios had not been air conditioned, for one thing) and the broadcast day was expanded. New programs from the networks also became available.

The schedule for Sunday, July 2, 1950, from the Houston Post, the last full day of KLEE-TV calls:

4:45pm - Test Pattern & Music
5pm - Hopalong Cassidy
6pm - Toast of the Town
7pm - TV Playhouse
8pm - Paul Whiteman
8:30pm - Morey Amsterdam
9pm - Baseball
10:30pm - Glamour Go-Round
10:35pm - News Bulletins
10:50pm - Coming Attractions
10:55pm - Sign off

The baseball game would have been the Houston Buffs, a St. Louis Cards farm team.

Monday, July 3, 1950, the call letters changed to KPRC-TV. The new calls were no secret, of course. The on-air unveiling was in the first segment of the 1st Annual TV Show in the 8pm hour. The schedule for the evening was:

12N-4:30pm - Test Pattern
4:45pm (sic) - Test Pattern and music
5:07pm (sic) - For Us the Living
5:30pm - Don Mahoney and His Sears Kiddie Troupers
6pm - Kukla, Fran and Ollie - N (i.e., NBC)
6:30pm - The Walking Machine
6:45pm - Musical Showroom
7pm - Chevrolet Teletheatre
7:30pm - This is Show Business
8pm - First Annual TV Show
8:30pm - Film Feature
9:30pm - First Annual TV Show
10:30pm - News Bulletins
10:35pm - Coming Attractions
10:40pm - Sign off

Some program notes for Monday evening were printed in the Monday paper:

5:07pm (sic) - For Us the Living - Documentary film on how the Food and Drug Act protects the public.

5:30pm - Don Mahoney and His Sears Kiddie Troupers
The easy talking cowboy brings his children's amateur hour to Kiddie Troupers from the Plantation.

6pm - Kukla, Fran and Ollie - N (i.e., NBC)
Popular puppet show led by lovely Fran Allison and unrehearsed.

6:30pm - The Walking Machine
Educational film about foot hygiene -- tells what feet can do for us and we for them.

6:45pm - Musical Showroom
Johnny Royal at the piano with guests.

7pm - Chevrolet Teletheatre
'The Way I Feel.' Story of adolescent love broken by death.

7:30pm - This is Show Business
Binnie Barnes and Abe Burrows join Producer Max Corbin, Radio Star Jane Pickens and Comedian Jan Murray on this intimate get-together hosted by Clifton Fadiman.

8:30pm - Film Feature
'Hollywood and Vine.' Jimmy Ellison stars in this one, which seesaws between laughter and romance.

9:30pm - First Annual TV Show
C.P.Simpson will award watches to the two top contributors to the television Cancer Crusade. Lynn Cole, romantic baritone and Capitol Recording Star, will sing.

10:00pm - (omitted from basic listings): Hands of Destiny - 'Too Old to Live.' This story is inspired by President Truman's recent speech on the difficulties encountered by old people looking for work.



More details on the founding of KLEE-TV and the changeover to KPRC-TV can be found in Jack Harris’ book The Fault Does Not Lie With Your Set and Richard Schroeder’s Texas Signs On. The latter mostly repeats information from the Harris book. There will also be another post on KLEE-TV’s founding here on the Houston Radio History blog.

The above account also draws on newspaper stories at the time in the Post, especially the special section of the Houston Post published Sunday July 2, 1950.

For more on Don Mahoney and Jeanna Clair, see this Historic Houston thread on HAIF which includes comments by kids who appeared on the show and Don Mahoney's son.

The Wikipedia article on Tommy Sands says he was born in 1937.

KLEE-TV

From the Houston Post, Jack Harris' book 'The Fault Does Not Lie with Your Set' and other sources.

Owner: W. Albert Lee, Houston hotelman and commercial real estate broker.

The first to apply for a permit in Houston on October 10, 1947, Lee had been on the Board of Directors of the Houston Fat Stock Show and Rodeo for years and had traveled to New York City to negotiate for a star entertainer to appear at the Rodeo when he first was exposed to television. He returned to Houston determined to put a TV station on the air. The FCC granted a permit on January 30, 1948, acting quickly, it has been suggested, because of the impending freeze and the Commission did not want to leave a city as large as Houston without TV for however long the permit process was going to be frozen.

First test pattern at full power: 12/20/48

Sign-on was set for 6pm on New Year's Day, January 1, 1949.

The schedule for the first night, after some opening remarks:

6pm - Test Pattern
6:15pm - Allen Dale Show - a musical variety show set in a record shop.
6:30pm - Lucky Pup (CBS) - children's puppet show about a little dog who inherited $5M and what he did with it.
6:45pm - Make Mine Music - Tony Mottola Trio - musical variety show; 'as most video shows are, it is held together with a plot and action.'
7pm - Newsreel
7:10pm - film short - music
7:15pm - Places Please (CBS) - a Barry Wood show which takes place behind the scenes of a Broadway theatre; different guest stars appear on the program.
7:30pm - To a Queen's Taste (CBS) - A French chef takes over to cook a special dish. Mrs. Dione Lucas, employee of the Cordon Bleu, gives out the recipe and shows how it's done. It takes her 30 minutes to demonstrate.
8pm - Winner Take All (CBS) - the audience gets to see the fantastic prizes given away on the Bud Collyer quiz program.
8:30pm - Fashions on Parade - New York and Paris fashions will be shown. A plot and entertainment make this more than a style show.
9pm - Kobb's Korner (CBS) - Spike Jones has competition when the Korn Kobblers make music from balloons, rubber tubes, auto horns, cowbells and washboards.
9:30pm - Doorway to Fame - Danton Walker has a professional talent show. Little known performers get a chance to be on a television show.
10pm - Swing into Sports - a sports lesson, currently golf; Dick Altman, KLEE-TV Sports Director.
10:30pm - Morey Amsterdam Show (CBS) - a variety comic show.
11pm - sign off

What actually happened:

Around 3:20pm, as the owner was showing some dignitaries around, a loud boom was heard and the transmitter shut down. A water line in the transmitter had burst. The GE transmitter used plastic tubing for the cooling system and none was to be found in Houston for repairs. Eventually, copper tubing was substituted and the station got on the air around 9:30pm. It was decided on the spur of the moment that the Chief Engineer, Paul Huhndorff, should go on first to explain what had happened as the station had been besieged with callers. Thus the Age of Television arrived in Houston with the words "There's been trouble...plenty of trouble."

As far as I know at this time, the entire schedule was aired and the station was on the air until about 2am.

In the first week, programs from CBS and DuMont were aired; later, the other networks also supplied programming. KLEE-TV was on the air 6-9pm, five nights a week only for several months, but by the end of the year was broadcasting 4 or 5 hours a night.


Note: I have published this material before in an on-line forum; it has been slightly reworked for this blog.