Showing posts with label KIKK. Show all posts
Showing posts with label KIKK. Show all posts

Sunday, November 20, 2011

Another Historical Site of Interest

I always assume that many of the readers of this site are interested in the history of Houston beyond just the history of radio and television, hence the section on the sidebar devoted to History Links. Here's another site I just learned about, a personal reminiscence of growing up in Houston, primarily in the 50s and 60s. It's a great collection of photos and facts drawn from many different sources and tied together with a narrative. I particularly appreciate the fact that the sources are always documented; too many people assume anything they find on the web they can use as though it was their own without crediting or asking permission. (Yes, there is some material from this site on there).

For those just interested in broadcast history, there's material related to radio on the page entitled The End of the Journey. Material concerning Houston TV in that era is on the page entitled More Life in Houston. And some of Marving Zindler's career is detailed on the page entitled More Memories.

Wednesday, November 2, 2011

Roy Lemons - RIP

I happened across news of Lemons passing on the internet. The name probably does not ring a bell with many in Houston radio today but he was with one of the most important stations in the 60s - KIKK. He wrote me a few years ago and filled in some valuable information on both KRCT and KIKK.

Here is an online obituary.

Thursday, October 29, 2009

The 1960s - KIKK, Talk Radio, KODA, KENR

Most of the new station activity in Houston in the 1960s would take place on the FM dial; it was to be as active an era on FM as the 1920s or 1940s had been on AM. By mid-October, 1960, there were already two new FMs on the air as KARO-FM took to the air at 94.1 megacycles the weekend of the 15th and 16th. There will be more about this in the FM Chronology. Normally the launch of a new station would have had the radio industry buzzing but not only was there little publicity regarding the launch of KARO, industry types and many others were busy talking that weekend about the news of a Vice Squad raid at the offices of KILT. It was front page news in the Chronicle on the 15th with a follow-up story on Sunday. It seems the HPD Vice Squad had gotten a tip there was an office pool at KILT and, equipped with a betting slip provided by the anonymous tipster and a marked $1 bill, moved in on Friday afternoon. An undercover officer entered the station at 500 Lovett Blvd. and said he was there to place a bet. The slip and money were taken by a young copy writer, whose name is omitted here to protect the innocent. The officer then went back outside and motioned to the uniformed officers to move in. The copy writer was promptly arrested and just as promptly fainted.

The problem seemed to be that bets had been taken from persons outside the employ of KILT; one account alleged an employee of Air Call, which was located across the lobby from the KILT offices and I believe co-owned, had been allowed to place a bet the previous week and the young woman said she thought the man was an employee of one of the other companies in the building; she also had reportedly commented after the undercover officer left that she didn’t think they should be taking bets from non-employees. Felony bookmaking charges were filed; the $1000 bond was posted by the station.

Station Manager Bill Weaver was indignant. The next day Mayor Lewis Cutrer called Weaver to apologize for the raid and both men agreed the Vice Squad should have better things to do, but the Vice Squad officer who set up the raid, Capt. H. L. Ellisor, and the Police Chief both backed the action. The total netted in the raid was 11 betting slips and $9.00 (two of the bettors had not anted up). Weaver observed the Vice Squad must have been very busy the previous week during the World Series as there had been rumors of $1000 betting pools in town; Ellisor said no raids had taken place because no complaints had been filed. Weaver also said he had been told there was a betting pool at HPD the previous week.


In mid-December the Chronicle’s Open Mike column published an article headed ‘Dial a Station and Talk, Talk, Talk’ noting a growing trend of telephone talk shows on the radio. KXYZ had launched an evening program called Expressions a few months earlier and was so pleased with the results, plans were already being made to add more talk shows after the Christmas season, according to GM Cal Perley, but this did not come to pass. A change of ownership in a few months led to cancellation of Expressions and dismissal of some employees; the show would resurface later on KFMK-FM.

KTRH had noted the trend and launched a call-in program called ‘At Your Service’ which took calls on a wide range of topics. The Chronicle article opined that eventually talk, talk, talk might become so pervasive there’d be little room for rock ‘n roll on the radio. It took the rise of FM radio and a couple of other factors but that prediction, which must have seemed highly unlikely at the time, eventually came true.

Whether Expressions was the first listener participation talk show in Houston is not known and the Chronicle did not mention any other local stations that had latched on to the trend.

In the same column the Chronicle reported that KNUZ program director Ken Grant was talking about an unusual success story for that time of year, an album doing a brisk business and drawing lots of listener calls that had nothing to do with Christmas. The Humorous World of Justin Wilson had been aired on both KNUZ and sister station KQUE-FM and there were reports it was breaking sales records.

On March 19, 1961, formal transfer of ownership of KTHT to Winston-Salem Broadcasting from Texas Radio was completed. General Manager Sam Bennett resigned and the new owners unveiled a new moniker for the station, Red Carpet Radio. Within a few months the station would become known as Demand Radio 79.

On May 1, 1961 KRCT changed call letters to KIKK, again proclaiming the switch in a big ad in the Chronicle. A story in the TV section of the Chronicle the previous day helpfully noted the DJs would refer to the station as ‘kick,’ ‘for kicks.’ Owner Leroy Gloger told the Chronicle reporter the change came about because research had shown call letter confusion among listeners. By that time, the station had studios in the Montague Hotel at 804 Fannin at Rusk as well as in Pasadena.

According to Roy Lemons, who worked for KIKK during most of the 1960s as Sales Manager, the KIKK call letters were the idea of a San Antonio country broadcaster A.V. 'Bam' Bamford, who owned KBER in San Antonio. Bamford knew that the calls had been dropped by a California station. He also came up with the "boots" symbol over a drink at the Montague. The logo was designed by Don Newcomer, a Heights resident who charged $250 for the soon-to-be-famous KIKK design.


This ad in May, 1961, just used block lettering for the call letters; it is not known yet just when the familiar boots came to be used for the ‘K’s.


This image appeared in the Sam Houston High School yearbook for 1963 and is apparently of the side of the KIKK studio building on E. Sterling.  At the left end of the fence, note the partially obscured sign for the station hanging on the front of the building.  According to other information found online the building also housed a recording studio, perhaps after KIKK moved out.


This business card type ad appeared in the Pasadena High School yearbook for 1964.

I am grateful to Tori Mask of the South Belt Houston Digital History Archive who found these images and allowed me to use them.


In the first week of June the FCC approved the transfer of KXYZ from NAFI Corp. of Los Angeles to Public Radio Corporation of Houston. The new owners consisted of Lester and Max Kamin of Houston and Morris Kamin of Victoria; they also owned stations in Tulsa and Kansas City. Lester Kamin had been involved in advertising and radio since at least the 1940s when he was a disc jockey in an era when disc jockeys were often well known people who hosted shows spinning records in addition to their other jobs. Sam Bennett, formerly of KTHT, came aboard as GM and Milt Willis, PD of KTHT, came aboard as the new Program Director.

Within a few days, Bill Roberts’ column in the Post announced that Cal Perley and Ken Collins had departed KXYZ. They had been closely associated with the Expressions program and announced they were already talking to KFMK about re-launching the program there.


 
 July 31, 1961 saw the beginning of KODA-AM at 1010 kc, a daytimer and the first new Houston AM radio station in more than a decade, joining its sister station KODA-FM which had taken over KPRC-FM in 1958 as KHGM-FM and recently changed call letters to KODA-FM. KODA-AM brought the ABC Radio Network back to Houston; ABC had been dropped by KXYZ several years earlier and carried for a while by KWBA, Baytown. The station featured ‘good music’ news, sports and a traffic helicopter, the KodaBird. KODA-AM and FM were owned by Paul Taft of Taft Broadcasting who originally had been General Manager of KGUL-TV, Channel 11, Galveston in 1953. Taft also owned the Muzak franchise for Houston. Westinghouse Broadcasting, Group W, bought KODA-AM and FM in 1978 and quickly spun off KODA-AM which changed call letters to KLAT, La Tremenda, obtained permission to become a 24 hour operation, and still operates on 1010. The KLAT calls went into use on August 29, 1979.

The picture above shows the new building at 4810 San Felipe which housed the KODA-AM and FM operations.   Roche Bobois now occupies the building.  The building in back, added sometime after 1961, housed Taft's non-broadcast businesses.

KANI, Wharton, signed on June 17, 1962, at 1500 kc and those calls are still in use.

At the end of June, 1967, LIN Broadcasting of Nashville purchased KILT and KOST-FM from Gordon McLendon for $15 Million dollars. McLendon said he had plans to purchase a UHF station in the market when one became available.

January 17, 1968, KENR, ‘Keener,’ became only the second new AM signal in the market in the decade at 1070 kc. Originally a daytime only station, KENR expanded to 24 hour a day operation within a couple of years. The format was country.

Bill Edwards of Saginaw, MI, was the owner and he told Chronicle TV/Radio reporter Ann Hodges the station was the culmination of a nine year dream. Edwards, who had apparently never even been to Houston before his permit was granted, said nonetheless he had been fascinated by Houston for years and considered it the ‘most exciting and most profitable of major radio markets’ and was proud of his engineers for finding a way to squeeze the station in on the crowded dial. Jack Fiedler of WNUS, Chicago, was to be the first General Manager. Edwards also owned WKNX-AM/TV in Saginaw.

Although the station had a good run as a country station, it eventually left that field to KILT-AM/FM and KIKK-AM/FM. The station tried country gold and then aired a radio magazine format for a while. For a while it was known as KRBE-AM and carried classic rock and simulcast KRBE-FM. The call letters in use on 1070 now are KNTH; it is a newstalk station.

Brief Postscript on the 1970s


In 1974, KEYH, started broadcasting at 850 kc; originally a news station it’s now a Spanish station, still operating with the same call letters. Also that year, KACO, Bellville, signed on at 1090 kc. The station on that frequency now uses the old Houston call letters KNUZ and is a Hispanic religious station.


To be Continued.

Monday, April 27, 2009

Other Broadcasting related discussions online

EDITED 4/13/2014

In addition to the articles sometimes published in the Bayou City Houston blog in the Chronicle relating to broadcasting, there have been many discussions on HAIF, the Houston Architectural Information Forum, about radio, TV, and personalities. There's a link to the Historic Houston forum on the sidebar but some of the discussions have also taken place in the Houston and the Media Forum. Here are some of the threads. In some cases relatives of the personalities or participants in the shows discussed have contributed information but mostly it's memories (and sometimes, a few facts).

Radio related threads

KIKK

Tim and Bob, KPRC morning team

Alvin Van Black, KPRC and KTRH talk show host and KTRK-TV reporter

Paul Berlin, other KNUZ jocks, and the Larry Kane show on Channel 13

A KRBE Promo Stunt from the 1970s


Houston Radio, 1986, from an Astros Media Guide


TV Related Threads


A Thread on Houston TV Talk Shows over the Years

Larry Kane and Other TV Dance Shows

A Larry Kane Show clip

Don Mahoney and Jenna Clare, children's show hosts

More on Jenna Clare

Walter Cronkite

Kitirik

A Kitirik clip

Past TV Anchors

Ray Miller's Passing

TV Reporters

More on Past TV Personalities

KVVV-TV, Channel 16

Vintage Houston TV Commercials


A thread about Houston TV station sign-offs


Texas - the NBC soap, 1980s

Houston College Bowl TV show


In addition to these threads which have a historical connection, there are many threads on HAIF on the Houston and the Media board about broadcasting today, format changes, personality comings and goings, and other matters.


Some Threads on Music, Artists, Venues and Concerts


Liberty Hall

Bands and Orchestras from years gone by


Don Robey's Peacock Records

Rock Concerts of the 60s, 70s, 80s


Utah Carl


The Catacombs

P. J. Proby's early career in Houston

Famous Locations that no longer exist
(mostly country nite clubs)

Magnolia Gardens, on the San Jacinto River

Sunday, June 17, 2007

KRCT, Goose Creek, KIKK, Pasadena

On August 31, 1946, a story in the Houston Post was headlined ‘Tri-Cities Radio to take to the air within 3 months.’ A construction permit had been granted by the FCC on Friday, August 30, to Bay Broadcasting Co. for station KRCT, to operate on 650 kc with 250w. C.Q. Alexander, the 6 foot 9 and a half inch mayor of Goose Creek was one of the principals. According to the Post a site had not even been selected yet but the Chronicle story on the same action said all the equipment had been acquired and the station expected to be on the air by Thanksgiving. The Chronicle reported the calls were to be either KBAY or KOCT, the latter apparently a typo.

The owners of the Goose Creek Daily Sun had applied for a permit for a 250 watt station 5 months earlier but that application had apparently been withdrawn. In its report on the KRCT permit the Chronicle also noted the Daily Sun had applied for a another permit for a full time 1000 watt station to operate on 1360.

I have not been able to pin down just when KRCT got on the air but if a site had not yet been selected it seems unlikely it came about in as little as 3 months. Many new stations in the 40s experienced delays of several months in their efforts to get on the air. The Houston papers reported on FCC actions concerning stations in Houston and the surrounding area and even as far away as Dallas, Austin, San Antonio and the Rio Grande Valley, probably taking the information from an FCC press release or the wire services, but did not regularly cover other news of stations in the suburbs. It would have been up to the station to notify the papers of its progress and I have found no mentions.

As the applicants and then permitees of a competing radio station, the Daily Sun also carried little mention of KRCT unless it was legitimate news, such as in November of 1947 when the KRCT tower on Cedar Bayou was knocked down by a strong norther blowing through the area. Other than mentioning the permit for KRCT in August, 1946, the earliest mention I have found in the Goose Creek Daily Sun was on p. 2, June 24, 1947, of a radio address on the issue of school consolidation in the tri-cities area to be aired on KRCT. Just days later the paper reported on page 1 that Sylvia McKinstrey had resigned as City Clerk to go to work for KRCT.

Fortunately, mentions in other papers make it possible to move the date back.  On February 27 the Liberty Vindicator ran a story about a Baptist revival and said one of the sermons was due to be given over the air on KRCT on March 9 at 2:30 pm.   On April 17 the Vindicator reported on a concert in Liberty by a popular quartet, the Stamps-Times Quartet, which was heard regularly on Sundays at 8:05 am on KRCT and on May 22 ran an ad for The Baptist Hour, heard Mondays, Wednesdays, and Fridays, 3:30 - 4:30 pm, sponsored by the First Baptist Church of Crosby.  Also on May 22, the Freeport Facts ran an ad for a weekly dance at the Surfside Beach Pavilion on Friday nights featuring the Blues Rustlers who could be heard weekdays at 5:15 pm on the station.

Although an exact date still cannot be determined it's clear the station got on the air between late December, 1946, and mid February, 1947.

By the late 1950s the station was owned by Leroy Gloger who may have served as manager of the station before buying it. The first week of October, 1957, KRCT began broadcasting from new studios at 227 East Sterling in Pasadena and the city of license was changed to Pasadena. The station always ran lots of ads in the Chronicle with the first concerning the changeover appearing on October 2 proclaiming a Grand Opening going on the 3rd thru the 6th with everyone invited to stop by and visit the new facilities. There was to be $1000 worth of door prizes. The on-air schedule included Hal Harris from 6a-10a, Gabe Tucker, 10a-1p and Sleepy Bob (Bob Everson) from 1-5pm. Tucker had been a country dj in Houston in the early 50s on KATL and KNUZ and had been one of the last KATL djs after the station switched to KYOK. He spent a couple of years in Nashville managing Ernest and Justin Tubb and the Wilbourne Brothers before returning to Houston to KRCT. His wife was also in the music business.

Broadcasting Yearbook gives the year of origin of KIKK-AM as 1957, reflecting the move to Pasadena.

Gloger liked to claim that 650 was Houston’s only ‘clear channel’ station but the clear was assigned to WSM, Nashville, the Houston station was always limited to daytimes only. Over the years the station was also promoted as the ‘Voice of Labor.’

On May 1, 1961, Gloger opened new studios in the Montagu Hotel at 804 Fannin at Rusk in downtown Houston and changed the call letters to KIKK, again proclaiming the switch in big ads in the Chronicle. A story in the TV section of the Chronicle the previous day advised readers not to worry, it was the same old KRCT, just new calls, and helpfully noted the DJs would refer to the station as ‘Kick, for kicks.’ Gloger told the Chronicle reporter the change came about because research had shown call letter confusion among listeners. The ads just used block lettering for the call letters; it is not known yet just when the familiar boots came to be used for the ‘k’s.

The KIKK calls had previously been used on a station in Bakersfield, CA, which ironically dropped the calls when it changed formats to country music.

The air staff included Hal Harris from sign on to 9am and 12N to 3pm, Gabe Tucker from 9 to Noon, and Tiger Myers from 3pm to signoff. Hal Wallace was the newsman.


The image is an ad for KIKK the weekend the call letters were changed. If anyone has any information about when KRCT got on the air or exactly when it changed hands to Leroy Gloger, I'd appreciate hearing from them.

Anyone wanting more information about the meaning of clear channel stations, not the company, can find an article on Barry Mishkind's Broadcast Archive site listed among the Radio History links on the side-bar (the site does not allow linking directly to individual pages).