Showing posts with label Listings. Show all posts
Showing posts with label Listings. Show all posts

Friday, April 11, 2014

A Day in the Life ...

of a Galveston radio listener, October 4, 1930.

The Galveston Daily News had published brief blurbs about KFUL's programs since it went on the air in December, 1924, and carried listings of other stations courtesy of RADEX, but when KFUL boosted power to 500 watts the local programming listings expanded.

Note KPRC was carrying 'chain' programs from both WEAF and WJZ; further down in the listings there are complete schedules for both KPRC and KTRH but there are no mentions of KFLX, Galveston, or KTLC and KXYZ, Houston.  Also note KYW is still a Chicago station at this time.  Listings other than KFUL are from the Associated Press.

KFUL was sharing time on 1280 kilocycles with KTSA, San Antonio, at this time, hence the gaps in the program schedule.



Saturday, April 20, 2013

A Day in the Life -

- of a Galveston radio listener, Sunday, February 2, 1947.   KGBC had signed on the previous day but there were no listings in the Galveston News for that day; these are the first published listings.  The News also published the listings for the three Houston stations whose signals would reach Galveston.  The only other Houston AM on the air at that time, KTHT, was still operating on 1230 kc with only 250 watts and probably was not listenable to most Galvestonians.

An ad published in the News on Saturday, February 1, for KGBC's first day was posted here.

Wednesday, November 10, 2010

A Day in the Life -

- of a Houston radio listener, Friday, June 30, 1961, and Saturday, July 1, 1961, from the Chronicle and Post. The Chronicle was an afternoon paper at that time, hence the day's listings begin at mid-afternoon.



The same page of the Chronicle carried a brief announcement that the next day, Saturday. July 1, KHGM-FM, 99.1, would switch call letters to KODA-FM. President Paul Taft explained it was just the first step in an expansion that would bring a new AM station to Houston in a few weeks, KODA-AM, at 1010 kc.


By this time the Post was running only abbreviated radio listings. As the decade wore on and TV continued its ascendancy as the primary home entertainment medium, the Chronicle would follow suit. Both papers eventually would offer only very brief mentions of developments in radio, sometimes not for days or weeks after the fact.

Tuesday, September 21, 2010

A Day in the Life.....

....of a Houston viewer, Friday, August 4, 1961.



Published in the Houston Now section of the Houston Post, Sunday, July 30, 1961.

Saturday, April 25, 2009

A Day in the Life -

...of a Houston radio listener. Sunday and Monday, December 5th and 6th, 1937.

Note Frank Tilton, the blind pianist from the early days of KPRC, on KTRH at 6:15pm Monday and Vox Pop with Dr. I.Q. that evening at 9pm.

Note also Don McNeill's Breakfast Club on KXYZ, Monday morning at 8am. KXYZ had just joined the NBC Blue Network in August.


Monday, April 20, 2009

A Day in the Life -

...of a Houston radio listener. From the Houston Post, Wednesday, February 18, 1948, the first day of broadcast of KNUZ, 1230.



Tuesday, December 2, 2008

KGUL-TV, Channel 11, Galveston


“Local Television comes of age” the Houston Chronicle proclaimed Sunday, March 22, 1953, on the cover of its special TV section devoted to the launch of the area’s second TV station, KGUL-TV, Channel 11, Galveston. The station was set to go on the air that evening at 6pm with a 30 minute introductory show from the studios at 2002 45th Street, also referred to as 11 Video Lane. The studio was so small that only those who would appear on camera would be present; other dignitaries including stockholders in Gulf Television Co., would be at the Galveston Club across the street.

Paul Taft of Houston was President and chief stockholder of Gulf Television. He was the son-in-law of the founder of Houston’s Duncan Coffee Co. and had previously formed Sabine Televison to put a station on the air in Beaumont. That project foundered due to the FCC freeze on TV applications and while waiting, Taft had realized the potential for a station in Galveston serving a much larger target audience. There were two applicants for the allocation; Taft had forged a merger with Mirador Television-Radio Corporation owned by R. Lee Kempner and Associates and the other company withdrew its application. The permit was granted January 28 and the station was given 2 months by the FCC to start construction; instead, the station was starting operations 6 days before that deadline.

Stockholders in Gulf Television included mostly Galveston and Houston businessmen including James Bradner, the head of Galveston radio station KGBC. Actor James Stewart was also a stockholder and Stewart was in town on that day to host the opening ceremony which would introduce the station principals and programming.

The antenna was located at Arcadia, a town on State Highway 6 now within the boundaries of Santa Fe; the Chronicle described the location as ‘about half way between Houston and Galveston.’ In fact, the 500 foot tower topped by a 50 foot antenna was much closer to Galveston. The Chronicle also said the coverage area basically included the ‘tri-city’ area of Houston, Galveston and Freeport. With 235,000 watts, KGUL-TV was the most powerful TV station in Texas at that time. A coverage map printed in the Chronicle’s special section indicated the Grade-A coverage area would probably barely have reached past Loop 610 North in Houston while the Grade-B coverage area probably would not have reached Intercontinental Airport (neither of these landmarks was in existence at that time). It was estimated there were 237,000 TV sets in use in the coverage area with potentially 1 million viewers.

The station’s primary affiliation would be with CBS-TV with back-up arrangements with ABC and DuMont. Originally all programming would be either live and local or on film but a microwave link from Houston to Arcadia would bring the availability of live network feeds; that was expected to be completed in about 3 weeks. Network and telephone company officials in New York would work out which station, KPRC-TV or KGUL-TV, got to use the sole cable link from Dallas to Houston at any given time. A second coaxial link was expected to be completed by the end of the year. At that time, the new station planned to air a full-day schedule.

The station had 2 cameras, 2 film chains and 2 slide projectors. Initially it would be on the air starting at 4pm daily but that would expand once the cable connection was completed.

Some shows would be moving from Channel 2 to Channel 11 including Studio One, Godfrey and Friends, I’ve Got a Secret, Racket Squad, Mr. And Mrs. North, Private Secretary, Toast of the Town, Ken Murray and Alan Young. Jack Harris of KPRC-TV said most of those had been airing on Channel 2 late at night and would be replaced by feature movies. New shows on KGUL-TV never before seen in Houston included Captain Video, Plainclothesman, Jane Froman, City Hospital, Crime Syndicated, Danger, The Ruggles, Quick as a Flash, Four Star Playhouse, Video Theater, Big Town, Life Begins at 80, My Friend Irma, Beat the Clock, Jackie Gleason, Chance of a Lifetime and Gene Autry. Shows that had aired previously in Houston but weren’t currently on the KPRC-TV schedule included Bishop Fulton J. Sheen, Perry Como, Burns and Allen, You Asked for It, Man Against Crime, Blue Ribbon Bouts, Big Town, Playhouse of Stars and Quiz Kids.

The station planned 3 local shows plus 2 daily newscasts. A homemaking hour would consist of a 30 minute cooking show presided over by George Young, chef of Galveston’s Jean Lafitte Hotel, followed by Wilma Rutherford, formerly of KRLD-TV, Dallas, who would discuss homemaking tips, fashion and decorating, etc. A musical show would be offered in the near future, alternating between the Al Pliner Trio of Galveston and Margie, Wink and Everest, a trio from Houston. Margie was identified as Margie Crumbaker, perhaps the same person who was later a columnist for the Houston Post.

Some accounts have claimed the first evening’s programming was to be a festival of James Stewart movies but that is not what was reported in the Houston Chronicle or Galveston Daily News. A line-up of CBS network shows was due after the brief opening show, followed by the feature presentation of the night, "Oil Town USA," a film which had been shot by the Billy Graham Evangelical Crusade at Rice Stadium in Houston.

What actually happened however was a breakdown in the equipment which left actor Stewart ad libbing in the lobby of the small building, holding a lavalier microphone, trying to fill. I was watching at this point - for some reason, I had some control over the TV though I was the youngest family member. I don’t remember that we had tuned in and caught the opening formalities but I was watching at this point and got bored. Stewart was not very good at ad libbing; I hardly knew who he was, anyway, as he had not been featured in many of the movies I saw at the Lake Theater in Lake Jackson at the weekly Saturday afternoon double-feature. Besides, there were now 2 stations to choose from and I switched the set over to watch Channel 2, thus becoming one of the earliest and youngest channel surfers in Houston.

Meanwhile on Channel 11, desperate measures were undertaken to save the evening. A local country western artist, Utah Carl, was summoned and he and his band showed up within minutes and performed an impromptu concert in the station’s lobby. The story of Utah Carl is recounted in this article by Galvestonian Bill Cherry for the Rockabilly Hall of Fame. Station officials were so grateful for his efforts and so impressed with his showmanship that he was given a regular slot on the station, adding to the local programming. Live country music programming was actually quite common in early TV; long running Grand Ol’ Opry stars Curly Fox and Miss Texas Ruby had a program on KPRC-TV that lasted for 7 years and they had earlier had a show on WNBC-TV, New York.

The 16 page Chronicle special section included numerous articles about the pending launch of KUHT-TV, Channel 8, plus KNUZ-TV and plans at KPRC-TV to boost power when it moved into new studios on Post Oak Road in Houston.

The image above comes from the archives of the Galveston Daily News on microfilm at the Rosenberg Library in Galveston.

A Day in the Life -


...of a Houston TV viewer.

Friday June 25, 1954, the last day for KNUZ-TV, Channel 39.

Saturday, June 30, 2007

KLEE-TV Becomes KPRC-TV

Seventeen months after putting Houston’s first television station on the air and with the TV freeze guaranteeing him a monopoly on TV viewers for some time to come, hotelier W. Alfred Lee sold KLEE-TV to the Houston Post/KPRC. Executives at KPRC and the Post and the Hobby family had become interested in making an offer for the station and had been assessing its value. They were concerned that FCC policies favoring diversity in media ownership might mean that both the Post and Chronicle would be left without TV licenses when the freeze was lifted or forced to compete against each other for a permit; they calculated Lee was losing $30,000 a month on his TV operation, which they did not believe he could not sustain for long. Then they learned Lee was looking to sell.

Hilton Waldo Hearn, Jr., in his 1971 Master’s Thesis at the University of Texas, W. Alfred Lee, Pioneer of Houston Television, says Lee had become convinced that when the freeze was lifted, he would be left running an independent television station since the TV networks had made it clear they wanted their TV affiliates to go to the companies they had been doing business with as radio affiliates and Lee did not have a radio network affiliation. Lee had little broadcast experience to draw on and the station was still on the air only 4 or 5 hours a day and was running on a minimum staff.

The asking price was reportedly $743,000. The Hobby’s were cautioned that was too much to pay for a money losing operation in the unproven medium of television but they felt they had no choice if they wanted to get into television. A deal was reached and approval sought from the FCC in the spring of 1950.

The other applicants for TV permits in Houston were dismayed, to say the least. KPRC and the Post had effectively executed an end run around the TV freeze and left the other applicants in the lurch. As it developed, they would have another 3 years to build the KPRC-TV brand without competition in Houston.

According to Hearn, the keys were handed to the Hobbys at 10:30am on May 31st, the change of ownership was announced in the Post on June 1, 1950. A month later, on July 3, the call letters were changed to KPRC-TV.

Faced with a small audience (there were an estimated 26,000 TV sets in the Houston area at the time), Lee had been selling TV time for less than radio. The KPRC radio sales staff was charged with turning this situation around and 4 months later, according to Jack Harris, the station was showing a profit. In addition to the $743,000 asking price it had been estimated another $250,000 in losses might be incurred before the station showed a profit but that reserve was never tapped into. By the end of the year, it was estimated the number of tv sets in use in Houston had more than doubled and it reached 100,000 by late 1951. The station changed its primary affiliation from CBS to NBC but still carried programs from all 4 networks.

The new owners drew upon their broadcast experience since 1925 in promoting and growing the station. They scheduled a big TV Fair for the July 4 weekend to introduce the new call letters and stir up more public interest; it was held at the Plantation Club at 9101 South Main and was attended by an estimated 50,000 people over three days. The Post published a special 40 page section on the change-over on Sunday, July 2.

TV dealers set up booths demonstrating their sets and live entertainment was provided on site and over the air including Red Ingles and his Natural Seven band, Carol Bruce, June Christy, the Mel Arvin Trio, Gypsy Edwards, Curly Fox and Miss Texas Ruby, and 11 year old Tommy Sands, who would become a teen idol before the decade was over.

The biggest attraction, however, proved to be the Fair-goers themselves, who got to see themselves on closed-circuit television.

The special section in the Post carried feature stories on station personnel, including station manager Jack Harris, assistant manager Jack McGrew, newsman Harry Arouh, News Director Pat Flaherty and his young assistant Ray Miller, Sports Director Bruce Layer, AM and TV Program Director Jack Edmunds, Chief Engineer Paul Huhndorf and KPRC Chief Engineer Harvey Wheeler, wrestling promoter and announcer Paul Boesch, country music stars Curly Fox and Miss Texas Ruby, and announcer Dick Gottlieb, who had been working in Houston radio for several years and would go on to be known as Mr. Television in Houston but had only been seen on camera recently. There were also stories about KPRC radio personnel and history and on-going KPRC radio programs such as Laugh with the Ladies, Darts for Dough, and Battelstein’s Fashions in Motion, some of which would become television staples in the early years, as well as new programs planned for TV. Thursday evenings would feature Phoenix Phil and his Pals, a puppet show by a local ventriloquist, Chester Leroy, and his cast of Phoenix Phil, Eddie the Cowboy, Miss Linda, Sandy McAndy and Cub Scout.

There were also stories in the section about many of the different TV sets from different makers that would be on display at the Fair.

Improvements were undertaken in the physical plant (KLEE-TV’s studios had not been air conditioned, for one thing) and the broadcast day was expanded. New programs from the networks also became available.

The schedule for Sunday, July 2, 1950, from the Houston Post, the last full day of KLEE-TV calls:

4:45pm - Test Pattern & Music
5pm - Hopalong Cassidy
6pm - Toast of the Town
7pm - TV Playhouse
8pm - Paul Whiteman
8:30pm - Morey Amsterdam
9pm - Baseball
10:30pm - Glamour Go-Round
10:35pm - News Bulletins
10:50pm - Coming Attractions
10:55pm - Sign off

The baseball game would have been the Houston Buffs, a St. Louis Cards farm team.

Monday, July 3, 1950, the call letters changed to KPRC-TV. The new calls were no secret, of course. The on-air unveiling was in the first segment of the 1st Annual TV Show in the 8pm hour. The schedule for the evening was:

12N-4:30pm - Test Pattern
4:45pm (sic) - Test Pattern and music
5:07pm (sic) - For Us the Living
5:30pm - Don Mahoney and His Sears Kiddie Troupers
6pm - Kukla, Fran and Ollie - N (i.e., NBC)
6:30pm - The Walking Machine
6:45pm - Musical Showroom
7pm - Chevrolet Teletheatre
7:30pm - This is Show Business
8pm - First Annual TV Show
8:30pm - Film Feature
9:30pm - First Annual TV Show
10:30pm - News Bulletins
10:35pm - Coming Attractions
10:40pm - Sign off

Some program notes for Monday evening were printed in the Monday paper:

5:07pm (sic) - For Us the Living - Documentary film on how the Food and Drug Act protects the public.

5:30pm - Don Mahoney and His Sears Kiddie Troupers
The easy talking cowboy brings his children's amateur hour to Kiddie Troupers from the Plantation.

6pm - Kukla, Fran and Ollie - N (i.e., NBC)
Popular puppet show led by lovely Fran Allison and unrehearsed.

6:30pm - The Walking Machine
Educational film about foot hygiene -- tells what feet can do for us and we for them.

6:45pm - Musical Showroom
Johnny Royal at the piano with guests.

7pm - Chevrolet Teletheatre
'The Way I Feel.' Story of adolescent love broken by death.

7:30pm - This is Show Business
Binnie Barnes and Abe Burrows join Producer Max Corbin, Radio Star Jane Pickens and Comedian Jan Murray on this intimate get-together hosted by Clifton Fadiman.

8:30pm - Film Feature
'Hollywood and Vine.' Jimmy Ellison stars in this one, which seesaws between laughter and romance.

9:30pm - First Annual TV Show
C.P.Simpson will award watches to the two top contributors to the television Cancer Crusade. Lynn Cole, romantic baritone and Capitol Recording Star, will sing.

10:00pm - (omitted from basic listings): Hands of Destiny - 'Too Old to Live.' This story is inspired by President Truman's recent speech on the difficulties encountered by old people looking for work.



More details on the founding of KLEE-TV and the changeover to KPRC-TV can be found in Jack Harris’ book The Fault Does Not Lie With Your Set and Richard Schroeder’s Texas Signs On. The latter mostly repeats information from the Harris book. There will also be another post on KLEE-TV’s founding here on the Houston Radio History blog.

The above account also draws on newspaper stories at the time in the Post, especially the special section of the Houston Post published Sunday July 2, 1950.

For more on Don Mahoney and Jeanna Clair, see this Historic Houston thread on HAIF which includes comments by kids who appeared on the show and Don Mahoney's son.

The Wikipedia article on Tommy Sands says he was born in 1937.

KLEE-TV

From the Houston Post, Jack Harris' book 'The Fault Does Not Lie with Your Set' and other sources.

Owner: W. Albert Lee, Houston hotelman and commercial real estate broker.

The first to apply for a permit in Houston on October 10, 1947, Lee had been on the Board of Directors of the Houston Fat Stock Show and Rodeo for years and had traveled to New York City to negotiate for a star entertainer to appear at the Rodeo when he first was exposed to television. He returned to Houston determined to put a TV station on the air. The FCC granted a permit on January 30, 1948, acting quickly, it has been suggested, because of the impending freeze and the Commission did not want to leave a city as large as Houston without TV for however long the permit process was going to be frozen.

First test pattern at full power: 12/20/48

Sign-on was set for 6pm on New Year's Day, January 1, 1949.

The schedule for the first night, after some opening remarks:

6pm - Test Pattern
6:15pm - Allen Dale Show - a musical variety show set in a record shop.
6:30pm - Lucky Pup (CBS) - children's puppet show about a little dog who inherited $5M and what he did with it.
6:45pm - Make Mine Music - Tony Mottola Trio - musical variety show; 'as most video shows are, it is held together with a plot and action.'
7pm - Newsreel
7:10pm - film short - music
7:15pm - Places Please (CBS) - a Barry Wood show which takes place behind the scenes of a Broadway theatre; different guest stars appear on the program.
7:30pm - To a Queen's Taste (CBS) - A French chef takes over to cook a special dish. Mrs. Dione Lucas, employee of the Cordon Bleu, gives out the recipe and shows how it's done. It takes her 30 minutes to demonstrate.
8pm - Winner Take All (CBS) - the audience gets to see the fantastic prizes given away on the Bud Collyer quiz program.
8:30pm - Fashions on Parade - New York and Paris fashions will be shown. A plot and entertainment make this more than a style show.
9pm - Kobb's Korner (CBS) - Spike Jones has competition when the Korn Kobblers make music from balloons, rubber tubes, auto horns, cowbells and washboards.
9:30pm - Doorway to Fame - Danton Walker has a professional talent show. Little known performers get a chance to be on a television show.
10pm - Swing into Sports - a sports lesson, currently golf; Dick Altman, KLEE-TV Sports Director.
10:30pm - Morey Amsterdam Show (CBS) - a variety comic show.
11pm - sign off

What actually happened:

Around 3:20pm, as the owner was showing some dignitaries around, a loud boom was heard and the transmitter shut down. A water line in the transmitter had burst. The GE transmitter used plastic tubing for the cooling system and none was to be found in Houston for repairs. Eventually, copper tubing was substituted and the station got on the air around 9:30pm. It was decided on the spur of the moment that the Chief Engineer, Paul Huhndorff, should go on first to explain what had happened as the station had been besieged with callers. Thus the Age of Television arrived in Houston with the words "There's been trouble...plenty of trouble."

As far as I know at this time, the entire schedule was aired and the station was on the air until about 2am.

In the first week, programs from CBS and DuMont were aired; later, the other networks also supplied programming. KLEE-TV was on the air 6-9pm, five nights a week only for several months, but by the end of the year was broadcasting 4 or 5 hours a night.


Note: I have published this material before in an on-line forum; it has been slightly reworked for this blog.

KNUZ-TV, Channel 39


KNUZ-TV signed on at 7pm on Thursday October 23, 1953, after months of frustrating delays. It was Houston’s 4th TV station and 1st in the UHF band, operating on channel 39 with an estimated radiated power of 20,000 watts which they hoped to boost to 100,000 watts soon. A test pattern had been broadcast for 10 days leading up to the official sign on and reports had been received of good reception from Port Arthur and Port Neches, 90 miles away.

The station operated from the University of Houston Television Center on Cullen near Wheeler, just off the University of Houston campus. The facility had been built by UH and leased to KNUZ-TV for 10 years. The antenna was behind the building according to the special reports in the Chronicle, a 707 ½ foot antenna built by the local firm of John D. Trilsch. Channel 8, which had studios in the Ezekiel W. Cullen building on campus, also broadcast from that antenna; channel 39 had the space on top.

The entire facility was said to have cost $530,000 and contained 15,000 square feet of space; operations were on the ground floor, offices were on the second floor.

Viewers were encouraged to stop by and visit; they could see the program on the air from the reception area and there was also a 350 seat bleacher section which could be folded back against the wall and accordion doors which could divide the studio into a smaller space. Thanks to a large glass expanse on the front of the building, motorists passing by on Cullen would be able to look into the studio.

The opening program was a one hour introductory show followed by a live telecast of a Lamar High School vs. Milby High School football game which experienced many difficulties. It was a short-lived debut. The station was off the air until the following Monday while engineers remounted the antenna atop the KUHT antenna and worked on the technical problems experienced during the remote.

When the station returned to the air on Monday the schedule printed in the paper was:

3pm - What’s Cookin’
3:30pm - Window Shop
4pm - Paul’s Place
4:45pm - Cartoon Caper
5pm - KNUZ Ranch
6pm - Rhythm Roundup
6:30pm - News, Weather
6:45pm - TBA
7pm - Long Shot
8pm - Danger Assignment
8:30pm - TV Auction - simulcast with KNUZ-AM
9pm - Movie
10:30pm - Twilight
11pm - Sign off

These programs were Monday thru Friday. A feature section of the Chronicle gave more details of individual programs:

What’s Cookin’ was hosted by Wilma Rutherford, a former model, graduate of TCU, and veteran of theater and radio/television. She had hosted the first cooking show on Texas television on WBAP-TV in Fort Worth, her hometown, several years earlier, then worked for KFI-TV in Los Angeles and KRLD-TV, Dallas, before coming to Houston. She had a maid that helped on the show.

Window Shopping with Mitzi Wayne described unusual values in local shops.

Paul’s Place, hosted by 23 year old Paul Berlin, popular KNUZ-AM disc jockey, was described as an ‘open house for viewers who like the lighter side of music and small talk,’ with Jan Stewart, a comedienne, on hand as a foil. The show would be aimed at teenagers with films of musical acts and visits with artists in town. The show would take place in the studio which had a bleacher section to accommodate a live audience.

The 39ers with Rhythm Roundup featured the Ranch Hands, Biff Collie, another KNUZ-AM dj, and Laura Lee.

Tonight (listed as Twilight in the listings) would feature Bill Anthony and would be a windup for the day with news, weather and music as requested.

K-News Television with KNUZ news director Bill Crawford would be on at 2:55, 5:55, 6:30 and 10:25pm daily.

Col. E.C. Beach was the auctioneer on TV Auction, Paul Berlin was the emcee. Real merchandise was auctioned off, including kitchen appliances, tires, etc. Bidding was by postcard with the highest bidder winning but real money was not accepted; ‘TV Bucks’ had to be used, which were obtained in return for purchases at about 30 advertisers affiliated with the show.

High school football games would be broadcast every Thursday night at 8pm

Station management included Max Jacobs, President, Dave Morris, Vice-President and General Manager, Irvin M Schlenker, Treasurer and Chairman of the Board, Bailey A. Swenson, a local architect who had designed the studios, Secretary, Douglas B. Hicks, assistant treasurer and Leon Green, asistant secretary.

KNUZ-TV utilized DuMont equipment throughout and became a DuMont Television network affiliate during its short life.

Another show which was developed by the station was the Houston Hometown Jamboree which was simulcast on KNUZ-AM from the City Auditorium. Biff Collie was one of the first hires on KNUZ-AM in 1948, coming to town to be a sports reporter but later becoming the station's very popular morning man. He worked at several other stations in Houston and is one of several Houston DJs in the Country Radio Hall of Fame. The Arlie Duff mentioned was a very popular jock on KOKE in Austin in the 1960s, one of the most entertaining and original jocks I ever heard. I know nothing of the Paul Hunter mentioned.

KNUZ-TV ceased operations as of Friday, June 25, 1954. According to a summary of the statement by Max Jacobs, President of KNUZ-TV, published in The Houston Post, a major reason for the shutdown was “the station’s inability to obtain a substantial amount of network programming and the national advertising which would have resulted.” The Post story went on to note that 70 UHF operating permits had been surrendered to the FCC and several UHF operations around the country had shut down.

Houston Consolidated Television, permittee of Channel 13, was able to get on the air more quickly because of the failure of 39. Negotiations had already started to use as much of the equipment of 39 as would be compatible with VHF. Channel 13 moved into the building on Cullen and operated there until moving out on Bissonnet in 1961. The building was then leased to NASA for computer operations for about a year, then Channel 8 took over those studios and operated there for more than 30 years.

ETA:  An additional picture of the original building from the 1950s plus the current facilities on the site have been posted on arch-ive.org.

The image above is from the special section of the Houston Chronicle published on Wednesday, October 21, 1953, on microfilm at the Houston Public Library. The 39/13/8 facility is now the TLC2 Center of the University on Cullen, about a half block south of Wheeler, but I'm not sure how much of that facility was there in the beginning. My earliest recollection of the Channel 8 facility was of a quonset hut facility but the quonset hut now is behind another building.

Tuesday, May 1, 2007

1922 Part 5 - September, October, November - WPAN, WSAV, WRAA

Before the year was out, WPAN and WSAV also received authorizations in Houston, the former in September, the latter in October. Long time Houstonians may recognize the name of the owners of WPAN, Levy Brothers Dry Goods Co., a competitor of Foley Brothers and once considered the largest mercantile establishment in the South.


On Friday, September 29, Levy’s ad in the Chronicle included mention that the new station would begin broadcasting the next Tuesday, with daily educational programs ‘of interest to the average woman, such as Fashion Talks, Beauty Talks, Talks on Corset Hygiene, Talks on the Care of Baby; and others.’ Each day’s subject was to be announced in the evening papers in the Levy’s ads.

On October 2, the following story appeared on page 13 of the Post under the headline “New Radio Station is Installed Here by Levy Brothers:”

"The educational side of radio is to be exploited for the first time in Houston beginning Tuesday next when Levy Brothers open their big broadcasting station, WPAN, for morning dissemination of educational matters.

The station is installed and there remains only the preliminary testing before actual operation daily, except Sunday, begins.

A wonderful series of short but interesting educational talks has been arranged for. These will be so diversified that all classes of listeners will be provided for, and to make the service suitable for all, even items of interest to children will be discussed at intervals."


The target audience seemed to have expanded somewhat in the Post’s story. The station was to be on the air at ‘about’ 10:30am, 6 days a week. Like Foley’s today, Levy’s ran lots of advertising. In one of their ads the next day, Tuesday October 3, 1922, the program was announced as ‘Sunburn and Tan, and Its Treatment” for the returning vacationist. Another listing gave the program scheduled as ‘Care of the Sick Room’ to be given by a registered trained nurse at Levy’s Baby shop.

Only a few days before the launch of WPAN, Levy’s had announced it had remodeled it’s store to add a boys wear department on the second floor and that is where the Radio Department was situated, selling complete sets as well as the parts to make receivers.

WPAN was added to the Post’s listings, which sometimes still occurred on page 1, sometimes elsewhere in the paper and sometimes not at all.


Levy’s was in business up until about the 1960s or so when it was sold to Oshman's but their radio station did not last very long at all. It was struck from the Commerce Department list in December, becoming possibly the shortest lived Houston radio station that actually got on the air. Despite the Commerce Department’s action, program notes for the station appeared three times in the Post in January, 1923.

WSAV was licensed to the Clifford W. Vick Radio Construction Co., of 1801 Carter Building at 806 Main and was to be an on-again, off-again station. It was struck from the list in June, 1923, returning in June, 1924, deleted again in March, 1925, only to return in June of that year from a new address, 1406 Houston Ave., operating at 1210 kc with 100w. It was deleted for the last time in September, 1925.

I have found little on WSAV. However, the picture that is emerging is that Vick installed his radio station in various locations over the years, tending toward public entertainment venues. Vick had been in charge of the installation at the Houston Fair and Exposition in November, 1921, as mentioned in the section on the pre-broadcast era. Also, see the last two paragraphs of this chronology of the year 1922, below, for what may have been the first installation of WSAV. The final location of the station, 1406 Houston Ave. in 1925, was at Luna Park, on the near northwest side, north of Washington Avenue. Luna Park was Houston’s first amusement park; it billed itself as the Coney Island of Texas and featured Dr. Carver's Diving Horses, a dance casino, roller coaster, picnic area and other attractions.

Perhaps Vick was counting on the entertainment venues to supply his programming; perhaps he was more interested in his business as a ‘radio construction company’ and simply hoped to drum up business with his installations.

In November, 1922, Rice Institute received authorization for station WRAA. That too was to be an on-again, off-again operation. The Post took note of the operation on December 15 on page 1 under the headline ‘New Radio Plant at Rice Institute is Step Forward.” H. D. Ellis was the assigned operator; Assistant Professor of Electrical Engineering H. K. Humphrey was assisting, as was Instructor J. S. Waters. The 200 watt transmitter was larger than any in Houston at the time except WEAY, which had 250 watt ‘oscillating and modulating tubes.’ Broadcasting was due to start in early 1923; the program schedule was due to be announced January 3.

WRAA was deleted by the Commerce Department in May, 1924, then the license was re-issued in December of that year.

None of these first radio stations authorized in 1922 survived the mid-1920s. Here, as elsewhere, it is believed other operators, enthusiasts, hobbyists and businessmen, may have operated stations without Commerce Department approval from time to time. An example of that may have been the station installed at Bayshore Park on Galveston Bay in La Porte in late July, 1922. Both the Post and Chronicle carried notices of it, an unusual occurrence in itself. Clifford W. Vick was putting the station in but his own license for WSAV would not be received until October and hence had not even been applied for at that time. Perhaps the Clifford W. Vick Radio Construction Co. was merely building the station and would not be the operator. There was to be a receiver so families attending the park could listen to radio broadcasts from elsewhere and also a sending station with a 125’ high antenna, lighted all the way to the top and with a colored light on top, which would send out the entertainment provided by the Charlie Dickson Jazz Orchestra and vocalist Mark Wescott, regulars at the park. No call letters were mentioned in either paper’s coverage and I have not found any record of Bay Shore park being issued a license, or anyone in La Porte for that matter.

Bayshore Park was privately owned and billed itself as Houston’s Finest Playground, though its fame has been eclipsed over time by Sylvan Beach Park. It was located just north of Sylvan Beach. There was a dance pavilion, a bandstand, a pier extending into the bay and an inn and restaurant on the premises. Possibly this was an amateur station but the government had banned amateur stations from broadcasting music and sports programming in December, 1921, reserving those entertainments for those who held broadcast licenses. As mentioned above, possibly this was the first installation of WSAV and Vick was getting a head start on getting it ready; there undoubtedly would have been a lot more people visiting the park in the summer than in the autumn, when WSAV was authorized. Perhaps Vick didn’t understand he needed to have a new type of license to do the kind of broadcasting he had been doing for some time. I have found no other mention of the installation or any broadcasts and it was never mentioned in any ads for Bayshore Park.


Images above are from the archives of the Houston Post at the Houston Public Library.